تجليات العجائبي في رواية الجازية والدراويش لعبد الحميد بن هدوقة

Résumé

This article intends to move towards the theme of the wonders, as a new theme that has been employed in the Arabic novel in general, and the Algerian novel in particular, due to its artistic and aesthetic characteristics that have contributed greatly to achieving pleasure and suspense for its reader. The process of employing the wonders falls within the scope of experimentation witnessed by the international novel under the umbrella of the new
novel that emerged in France during the 20th century. Where it was relied on to introduce many techniques, methods, and intellectual and artistic contents with multiple connotations and symbols, among them the marvelous as a literary genre (according to Tzvetan Todorov), and a new technique in narration (according to Jean Belmain Noel), which many writers employed in their narrative texts globally (such as Colombian novelist Gabriel García Márquez), and in the Arab world (such as the Libyan novelist Ibrahim Al-Koni), and locally (such as the Algerian novelist Abdel Hamid Ben Hadouqa)....
Proceeding from this cognitive perception of the theme of the wonders in its employment in the narrative narrative, this article came to open a new workshop on the inspiration/employment of folklore in the Algerian novel through delinquency towards the theme of the wonders as an essential element of the folklore. In order to address this topic with accountability and analysis, we chose the novel (Al-Jazia and the Dervishes) by the late novelist Abdel Hamid bin Hadduqa, to highlight the significance of working on the miraculous. How was it dealt with in the novel? What is the purpose of using it in the novel?