?image Et Imaginaire Ou Comment L’esprit Philosophique Est Venue Au Cinéma

Abstract

The cinema was an innovation? When at the end of the day, a number of people (their employees or scientists for the project) will return the cinematography. The new LED or Edison light does not affect the sensations that affect the patern on this procedure. In reality, the “invention” of the cinema is the product of advanced technologies, artistic and scientific curiosities, and in particular, the Muybridge’s travaux on the reconstitution of the cheval movement. The cinema does not have a training procedure that begins at the moment, it contains a large number of files that have a photographic recording from a room to fix the image fixes. The most photographed of the original Greek races: the prefix “photos” (lumière) and the suffixe “graphein” (peindre, print), which donnerait littéralement; peindre avec the lumière. Roland Barthes wrote the photograph as “this new anthropologie” that all revolutionizes our relationship with the world. “It's not art, it's not communication, it's the reference that is the source of the photograph” and it says “a new or previous record”