La Philosophie Du Cinéma N’est Pas La Philosophie Des Films

Abstract

In a recent study on the subject in the film, I propose to the employer to compile the voices, as well as many impermissible inputs, because the subject will be afraid of changing the audio visual signals. This tool allows you to defend and illustrate the philosophy of films, a “discipline” in your professional life, for your media. Or, if he is in the middle of a rencontre between philosophy and cinema, there are many moments in the eyes of the film philosophy (or films) that come from the film philosophy or, there is the idea of ​​cinema in the world of film, in the philosophy The cinema that concerns the cinematography of the film will appear on Cohen-Seat close to Metz. This is not the case if I have any idea on this reference at the beginning of the cinema sémiologie. I am from the suite with my perspective in recourse to the philosophy (which was in my initial university education), but I am not abandoning the conviction that I am not alone, sin on the paper, all metaphoriquement, auxiliary foundations and, in part, to this one. Specify in an identified medium and in the communication conditions. This is a crucial point in controversies because it is necessary to use the philosophy behind the cinema or the films before compiling the existence of the film as the specific medium applied in the specific environment (social, cultural) of the cinema.