China Men by Maxine Hong Kingston: An Evocation of Chinese Males’ Identity (Re)construction
Main Article Content
Abstract
This article focuses on Maxine Hong Kingston’s semi-autobiographical novel China Men, a poignant portrayal of the experiences of Chinese immigrants in the United States. Its aim is twofold. The first is to show that social problems such as colonialism, racial discrimination and prejudice based on ethnicity and ethnicity and gender are sources of identity crisis. Drawing on postcolonial criticism, particularly the concepts of cultural hybridity and third space, this study examines how the Chinese in the novel negotiate or (re)construct their identity in a complex cultural and social context. This theory is employed to achieve the second objective, which is to reveal that the characters’ negotiation of their hybrid masculinity and their resistance to oppression contributes to their emancipation, while reconnecting with their cultural roots cultural roots helps them to reconcile this hybrid identity and develop a stronger sense of self.
Article Details
LICENSE: This work is licensed under a Creative Commons CC BY 4.0 license
References
• Barandiaran, X. E., Di Paolo E., & Rohde M. (2009), Defining Agency: Individuality, Normativity, Asymmetry, and Spatio-temporality in Action, International Society for Adaptive Behavior, Vol 17(5): 367–386. DOI: 10.1177/1059712309343819
• Bhabha, H. K. (1994), The Location of Culture, New York: Routledge.
• De Lucia, F. (2023), Talk-Story and Storytelling between China and America in Maxine Hong Kingston’s Family Memoirs, Swiss Papers in English Language and Literature, Jahrgang 42, Ausgabe 42, Universitätsverlag WINTER GmbH Heidelberg.
• Foucault, M. (1979). Discipline and Punish: The Birth of the Prison. Vintage Books.
• Hall, S. (1990). Cultural Identity and Diaspora. Identity: Community, Culture, Difference. Ed. Jonathan Rutherford. London: Lawrence & Wishart. (pp. 222- 237)
• Kingston, M. H. (1980). China Men. New York : Random House.
• Pragatwutisarn, C. (2005). Cultural Translation and Hybridity in The Woman Warrior, Manusya: Journal of Humanities (Special Issue No.10)
• Sarup, M. (1996), Identity, Culture and the Postmodern World. Athens, G.: The University of Georgia Press.
• Tatum, B. D. (2000). “The Complexity of Identity: ‘Who Am I?’,” in Readings for Diversity and Social Justice: An Anthology on Racism, Sexism, Anti-semitism, Heterosexism, Classism and Ableism, ed. Adams et al. New York: Routledge.
• Wu, J., Basic characteristics of Chinese Culture. [Online], Available on: https://www.thomehfang.com/suncrates3/1wu.html
• Yao, X. (2000), An Introduction to Confucianism. United Kingdom: Cambridge University Press.