Cinematic Representations of Terrorism Analyzing Hollywood's Role in Shaping Public Perceptions Through “True Lies”
Main Article Content
Abstract
This paper explores the role of Hollywood cinema in shaping public perceptions of terrorism, focusing on the 1994 film "True Lies" as a case study. Hollywood's portrayal of Middle Eastern characters as terrorists reflects and perpetuates stereotypes, reinforcing Western biases. The paper argues that such cinematic representations contribute to ideological framing, influencing public opinion and policy by presenting certain ethnic groups predominantly as threats. Drawing on this, the study examines the film's narrative and visual strategies, highlighting the cultural and political contexts that inform these portrayals. This research contributes to understanding the interplay between media, war, and artistic representation, exploring how media both reflects and constructs societal fears during conflict.
Article Details
Copyright Notice
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).
This allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal[cite: 2, 11].
The journal allows authors to deposit the Version of Record (published version) in an institutional or other repository of their choice without any embargo period.
References
- Ashcroft, B. & Ahluwalia, P. (2009). Edward Said. Routledge: London.
- Boggs, C. & Pollard, T. (2006). Hollywood and the Spectacle of Terrorism. New Political Science (28th ed., Vol. 3, pp. 335-351). Taylor and Francis: London
- Reid, J. W. (2013). Discourses of Film Terrorism: Hollywood Representations of Arab terrorism and counter-terrorism, 1991–2011. The University of Adelaide: Australia.
- Kennedy, V. (2000). Edward Said: A Critical Introduction. Polity Press: Oxford.
- Pollard, T. (2011). Hollywood 9/11: Superheroes, Supervillains, and Super Disasters. Paradigm Publishers: United States.
- Prince, S. (2007). Firestorm: American Film in the Age of Terrorism. Columbia University Press: New York.
- Shaheen, J. G. (2001). Reel Bad Arabs: How Hollywood Vilified a People. Olive Branch Press: New York.
- Vanhala, H. (2011). The Depictions of Terrorists in Blockbuster Hollywood Films, 1980-2001: An Analytical Study. McFarland & Company Publishers: North Carolina.