Ideological Discourse Analysis of On-Screen Discourse on Terrorism
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Abstract
The purpose of the current study is to shed light on the representation of Arabs and Muslims in Hollywood on-screen discourse on terrorism. It seeks to answer, especially, three main questions: What is the difference, if any, between pre- and post- 9/11 representation of Arabs and Muslims? Does post- 9/11 on-screen discourse reflect true experiences of soldiers in battlefields? And how is Islam perceived by westerners? To analyse the on-screen discourse, we have adopted Van Dijk’s model of Ideological Discourse Analysis. The chosen data consider pre-and post- 9/11 attacks. As such, it comprises six films before and after this event. The analysis of on-screen discourse reveals that after 9/11 attacks, there has been a shift from a comical representation to a serious one. Also, post- 9/11 on-screen discourse on terrorism either depicts or simulates true experiences of American soldiers in battlefields. Besides, Islam is represented as a threatening radical ideology against a peaceful world.
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