El discurso de la tolerancia a través del paratexto: La confrérie des éveillés de Jaques Attali, y La mano de Fátima de Idelfonso Falcones The Discourse of Tolerance Through Paratext: "La confrérie des éveillés" by Jacques Attali and "La mano de Fátima" by Ildefonso Falcones
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Abstract
ABSTRACT: The theme of Al-Andalus in literary works has never been the result of whim or spontaneity but rather stems from various reasons, sometimes objective and other times subjective. Among these reasons, we find the climate of tolerance and coexistence that once existed. Our work aims to examine how this tolerance is represented through a very important element of paratext, which is the title. It shows and conveys a message of peace and coexistence among the three religions. We have chosen two works that address the theme of Al-Andalus in general, and tolerance in particular. These works are "La Mano de Fátima" by Ildefonso Falcones and "La Confrérie des Eveilles" by Jacques Attali.
RESUMEN: El tema de Al Andalus en las obras literarias nunca ha sido el resultado de un capricho o de una espontaneidad, sino que resulta de varias razones, a veces objetivas y otras veces subjetivas. Entre estas razones, hallamos al clima de tolerancia y convivencia que existía. Nuestro trabajo consiste en ver, como esta tolerancia viene representada a través de un elemento muy importante del paratexo, que es el título, mostrarnos y transmitirnos un mensaje de paz y convivencia entre las tres religiones. Hemos elegido dos obras que tratan el tema de Al Andalus en general, y el de la tolerancia en particular. Se trata de La Mano de Fátima, de Idelfonso Falcones, y La Confrérie des Eveilles, de Jaques Attali.
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