الحوار في شعر عمر بن ربيعة

Abstract

Dialogue in the Poetry of Omar Bin Rabia

Whatever the poet is imitating others, he has a peculiarity that makes him unique during his imaginary imitations that he wears by his experiences selected from his reality, and as a culmination of this individual peculiarity of ancient Arabic poetry in its cognitive parts, we look at the element of “dialogue” in the poetry that Omar bin Abi Rabia employed and used as a means In most of his poems, he intended to reach his goal in the closest way, and by resorting to double linguistics in poetry, achieving at least two functions: the first is to draw close to the common people, and secondly, the poet took the admiration of the linguists who admitted to him the correctness of his language, so they protested his verses against some grammatical rules, and if this is the case with The ancient historians of Arabic literature in the modern era made him one of the great poets.
With such a dialogue, the poet makes us in a position to follow the events, and wait for the director’s result after the critical dangers represented in the fear of the girl’s family, if his case is exposed, and victory over everyone when he emerges safely from the predicament, and it is not excluded that what he wanted will be achieved in the end, as it is natural To follow in his performance of juveniles the path of both physical and psychological integrity, but in many cases he departs from this easy path, to the weight of the strange word, especially when he resorts to natural or bodily descriptions,
By resorting to double linguistics in poetry, the poet has achieved at least two functions: the first of which is to draw close to the common people, so they praise him, and draw close to him by narrating his poetry. Rather, singers sang about it, such as Ibn Aisha, Ibn Sirij, and others. They protested with a few verses against some grammatical rules, and if this was the case with the ancients, then historians of Arabic literature in the modern era made him one of the heads of the great poets. Complete parts, and Abbas Mahmoud Al-Aqar, Omar bin Abi Rabia, the poet of spinning, and the author of the book (And Is the Moon Hidden)? and others.