L’image de l’Arabe dans la Série Netflix Messiah : analyse dialogique

Abstract

The Image of The Arab in Netflix Series Messiah: Dialogical analysis

This study falls within the purview of discourse analysis and seeks to propose nuanced interpretations regarding the portrayal of Arabs in Hollywood cinema. Initially characterized by negative stereotypes, this image undergoes a partial rehabilitation in the Netflix series Messiah. The investigation aims to scrutinize both representations by analyzing specific sequences from the series, which premiered on the Netflix platform on January 1, 2020. The series revolves around the return of the Messiah, linked to eschatology, portraying him as a savior in conflict zones addressing desperate people in Arabic, notably in Syria, West Bank, and the Al-Aqsa Mosque. The doctrinal theme of the Messiah's return sparks significant impact in spirituality and theology, eliciting diverse discussions and interpretations. Employing a qualitative approach rooted in the principles of nominational dialogism, this study identifies stereotypical representations often ingrained in Hollywood's conventional beliefs. It achieves this by scrutinizing parameters of categorization and enunciation in interactions involving Arab characters such as Jibril Hassan, Samer, Sheikh Zaid, the Imam, and others.The study results shed light on two contrasting images of Arabs. Firstly, Sheikh Zaid embodies the stereotype of an extremist and violent Arab, perpetuating long- standing clichés. Secondly, Jibril Hassan represents the image of a vulnerable and easily manipulable Arab, adding a layer of complexity to the overall representation. By delving into these subtleties, this research seeks to challenge and transcend the conventional depictions of Arabs in Hollywood cinema. Its objective is to foster a deeper understanding of the intricacies associated with these characters, moving beyond the limiting and one-dimensional portrayals often disseminated by mainstream media. The ultimate aspiration is to contribute meaningfully to the ongoing dialogue regarding the representation of diverse cultures and identities in popular entertainment, such as Hollywood, which wields significant influence over public perceptions. Drawing on Jullien's perspective on alterity, the study advocates understanding others through their unique viewpoints rather than imposing our own. Applied to Hollywood's portrayal of Arabs, this approach encourages a shift beyond stereotypes toward a nuanced appreciation of Arab identity and cultural richness. Such an approach promotes deeper cultural empathy and challenges prevailing, simplistic narratives in global cinema and media.